Renfrew Institute’s 28th annual Jazz Festival is scheduled for Sunday, August 25, from 2:00 to 4:00 p.m. on the lawn behind the Renfrew Museum house in Waynesboro, Pa. The concert features world-renowned musicians and is offered free to the public.
This year’s concert will feature the highly acclaimed Jeff “Tain” Watts Travel Band, featuring Jeff Watts on drums, Paul Bollenback on guitar, Orlando la Fleming on bass, plus special guest Grégoire Maret on harmonica.
“Each of these artists is an internationally renowned jazz musician,” said event organizer, Andrew Sussman. “This concert is an opportunity to hear these stellar jazz artists for free in beautiful Renfrew Park!”
Lead sponsor, FirstEnergy Foundation on behalf of West Penn Power, is returning this year to support the event. “We are proud to help sponsor this marvelous concert that brings extraordinarily talented jazz musicians and vocalists to our backyard for our customers and others to enjoy,” said John Rea, Regional President of West Penn Power.
Jeff “Tain” Watts spent his formative years with Wynton and Branford Marsalis, and his compositional skills now command equal attention, earning Watts a Guggenheim Fellowship in 2017. Watts initially majored in classical percussion at Pittsburgh’s Duquesne University, where he was primarily a timpanist, followed by enrollment at the Berklee School of Music. He joined the Wynton Marsalis Quartet in 1981 and proceeded to win three Grammy Awards with the ensemble: Black Codes From The Underground, J Mood and Marsalis Standard Time.
Watts left Wynton Marsalis in 1988. After working with George Benson, Harry Connick, Jr. and McCoy Tyner, he joined the Branford Marsalis Quartet in 1989, winning Grammys for “I Heard You Twice the First Time” and “Contemporary Jazz.” In the film and television industry Watts has appeared as both a musician on the Tonight Show with Jay Leno and as an actor, Rhythm Jones in Spike Lee’s “Mo Better Blues.” He joined Kenny Garrett’s band after returning to New York in 1995 and continued to record and tour with Branford Marsalis as well as Danilo Perez, Michael Brecker, Betty Carter, Kenny Kirkland, Courtney Pine, Geri Allen, Alice Coltrane, Greg Osby, McCoy Tyner, Steve Coleman, Gonzalo Rubalcaba, Harry Connick, Jr., and Ravi Coltrane. http://www.tainish.com/
Grégoire Maret (harmonica) is one of the most sought after harmonica players in the world. Often compared to legends Toots Thielemans and Stevie Wonder, he has been asked to play with an incredible number of famous musicians including Youss N’Dour, Meshell Ndegeocello, Pete Seeger, David Sanborn, George Benson, and Cassandra Wilson, to name a few. In 2003 he was the subject of Swiss filmmaker Frédéric Baillif’s documentary, Sideman, which won several awards. In 2005, Grégoire toured with the Pat Metheny Group, receiving a Grammy for Best Contemporary Jazz Album for their album “The Way Up.” He also won the Jazz Journalists Association ‘Player of the Year Award.’
After his Grammy win, Maret embarked on a two-year tour with the world class bassist Marcus Miller and subsequently joined Herbie Hancock’s band. Following his time with Hancock, he co-led the jazz trio Gaïa with pianist Federico Gonzales Peña and drummer Gene Lake. In 2010, Maret played at The Concert for the Rainforest with Elton John and Sting. In addition to those already mentioned, Maret has played and/or recorded with Prince, Little Jimmy Scott, Diane Reeves, Toots Thielemans, Terri Lynne Carrington, Tito Puente, Kurt Elling, Jeff “Tain” Watts, Mike Stern, Charlie Hunter, Béla Fleck, Kenny Werner, and many others.
Paul Bollenback (guitar) started his music career in 1981, and has performed as a sideman with a wide range of jazz luminaries, including artists as diverse as Stanley Turrentine, Jeff “Tain” Watts, Steve Gadd, Gary Bartz, David “Fathead” Newman, Terri-Lyne Carrington, Joe Locke, Jack McDuff, James Moody, Jim Snidero, Charlie Byrd, Herb Ellis, Paul Bley, Geoffrey Keezer, Mike LeDonne, Carol Sloane, Chris McNulty, Gary Thomas, Grady Tate, and in the group, East Meets Jazz with the renowned tabla virtuoso Sandip Burman, to name a few. He is known for his versatility, and also for an influential 20-year stint with jazz organist Joey DeFrancesco.
Bollenback performed on over 80 recordings as a sideman, and has released eight CDs as a leader. A busy performance schedule has been augmented since the late ’90s by steady jazz education duties at Columbia University, Queens College, and The New School. Bollenback is also a composer whose pieces have appeared on Joey DeFrancesco’s Reboppin’ and on the Jazz Times Superband CD. His most recent recording, Portraits in Space and Time (Mayimba Music), with his trio, was released in 2014. Bollenback resides in the New York City area.
Orlando le Fleming (bass) is counted among the most proficient and accomplished bassists in the field of contemporary jazz. His facility as an improviser and capacity as a team player were first honed not on the bandstand, nor in the practice room, but on the cricket pitch. Originally from the UK, Orlando seemed destined for an athletic career, and was briefly a professional cricketer, until he was granted a place at London’s Royal Academy of Music, and his lifelong passion for music won out. Le Fleming’s 2003 move to New York City was a timely one. Soon after arriving stateside, Le Fleming joined Jane Monheit’s band, consequently sharing the bass duties on her 2004 release Taking a Chance on Love with Ron Carter and Christian McBride; the year following, he recorded with jazz legend Jimmy Cobb on his Marsalis Music Honors release. Greatly in demand, he has worked with Branford Marsalis, Leslie Odom, Jr., Wayne Krantz, Joey Calderazzo, Bill Charlap, Billy Cobham, Jeff “Tain” Watts, and David Sanchez among others. His latest endeavor as a leader, Romantic Funk, presents a pastiche of classic fusion sounds and ideas, updated by Le Fleming’s signature palette of polyrhythm and abstract exploration.
Support for this event was provided by lead sponsor, FirstEnergy Foundation on behalf of West Penn Power. In addition, Renfrew Institute receives state arts funding support through a grant from the Pennsylvania Council on the Arts, a state agency funded by the Commonwealth of Pennsylvania and the National Endowment for the Arts, a federal agency. Further sponsors include The Hamilton Family Foundation on behalf of Hamilton Nissan and Hamilton Hyundai, Franklin County Visitors Bureau, Stephen D. Fisher, and Renfrew Institute’s Today’s Horizon Fund contributors: The Nora Roberts Foundation; the John R. Hershey Jr. and Anna L. Hershey Family Foundation; APX Enclosures, Inc.; The Carolyn Terry Eddy Family: Carolyn, with daughters Connie Fleagle & Kim Larkin. Facility support is provided courtesy of Renfrew Museum and Park.
Parking is available behind the visitors center, with additional parking in the lower lot off Welty Road. Those attending are encouraged to bring lawn chairs and blankets, and picnics are welcome. Rain site: Waynesboro Area Middle School auditorium.
Renfrew Institute’s 27th annual Jazz Festival is scheduled for Sunday, August 26, from 2:00 to 4:00 p.m. on the lawn behind the Renfrew Museum house in Waynesboro, Pa. The concert features world-renowned musicians and is offered free to the public.
This year’s concert will feature legendary jazz trumpeter Randy Brecker, pianist Richard Sussman, saxophonist Ada Rovatti, bassist Drew Gress, and drummer Clarence Penn.
“Each one of these artists is an internationally renowned jazz musician,” said event organizer, Andrew Sussman. “The concert is a unique opportunity to hear them play together—and it’s all free in beautiful Renfrew Park!”
Lead sponsor, FirstEnergy Foundation on behalf of West Penn Power, is returning this year to support the event. “We are proud to help sponsor this marvelous concert that brings extraordinarily talented jazz musicians and vocalists to our backyard for our customers and others to enjoy,” said David McDonald, president of West Penn Power.
Jazz trumpeter and composer, Randy Brecker has helped shape the sound of jazz, R&B and rock for more than four decades. His performances have graced hundreds of albums by a wide range of artists from James Taylor, Bruce Springsteen and Parliament/Funkadelic to Frank Sinatra, Steely Dan, and Frank Zappa. In 1967, Brecker ventured into jazz-rock with the band Blood, Sweat and Tears, but left to join the Horace Silver Quintet. He recorded his first solo album, “Score,” in 1968. After Horace Silver, Brecker joined Art Blakey’s Jazz Messengers before teaming up with brother Michael, Barry Rogers, Billy Cobham, and John Abercrombie to form the seminal fusion group Dreams.
The group recorded two adventurous and widely-acclaimed albums before they disbanded in 1971. In the early 1970s, Brecker performed live with many prominent artists including Larry Coryell’s Eleventh House, Stevie Wonder and Billy Cobham. By 1975, Brecker and his brother Michael were ready to front their own group, the Brecker Brothers Band. A band of immeasurable impact and influence, they released six albums on Arista and garnered seven Grammy nominations between 1975 and 1981. Since then, his credits and awards are far too numerous to list here. Over the years, Brecker has received 18 Grammy Award nominations and won a total of six, and remains one of the most celebrated and highly respected jazz musicians in the world.
Richard Sussman is an accomplished jazz pianist, composer, music technologist, educator, and author. He has performed with many jazz and pop greats including Lionel Hampton, Lee Konitz, Houston Person, Buddy Rich, Randy Brecker, Blood Sweat & Tears, David Sanborn, Marty Balin, Country Joe McDonald, and Donna Summer. As a leader, Sussman has recorded five critically-acclaimed albums of original music, including the classic “Free Fall” and his most recent, “The Evolution Suite” for jazz quintet, string quartet, and electronics. His large ensemble arrangements have been performed by the Village Vanguard Orchestra, Metropole Orchestra of Holland, and the American Composers Orchestra in New York. Sussman has been a member of the jazz faculty at the Manhattan School of Music since 1986, where his responsibilities have included teaching and developing curriculum for jazz arranging and composition classes and managing all aspects of the Electronic Music Technology Studios. His book, Jazz Composition and Arranging in the Digital Age (Oxford University Press), has been hailed as a comprehensive and trend-setting text for jazz composers in the 21st century. Sussman has received numerous awards including two NEA grants in Jazz Composition, an ASCAP Jazz Composition Award, and a Chamber Music America New Jazz Works grant. His extensive work in the field of film and TV has included projects for ABC, NBC, CBS, Disney, and Nickelodeon.
Italian native Ada Rovatti started playing saxophone in high school after years of classical piano training. She won a scholarship from Berklee College of Music in Italy, and divided her time between Boston—where she studied with Joe Viola and George Garzone—and Italy, where she worked in big bands with guest artists such as Phil Woods, Lee Konitz, Bob Mintzer, Randy Brecker.
After a year touring Europe and Africa she moved to New York City. She has performed in important festivals such as JVC in NYC, Rochester Jazz Festival, IAJE, Detroit Jazz Fest and Montreal Jazz Fest, performing with an impressive list of artists and bands such as Mike Stern, Randy Brecker, Miroslav Vitous, John McLaughlin, James Moody, Bob Mintzer, Joanne Brackeen, Aretha Franklin, Herbie Hancock, Jimmy Heath, Patti Austin, and many more. In addition to her musical expertise Rovatti appeared in the movie, “Mona Lisa Smile” featuring Julia Roberts.
In 2003 Rovatti released her first two CDs as a bandleader with the Elephunk Band and with guests Randy Brecker, Mike Stern and Don Alias. Her latest album, “Green Factor” is a unique recording with a melting pot of Irish/Celtic/jazz/fusion influences with strong harmonies and sophisticated arrangements. She has been touring with the Brecker Brothers Reunion Band and just released with the same band a double CD/DVD.
Bassist/composer Drew Gress performs extensively with artists on the cutting edge of contemporary improvised music. His latest project, “The Irrational Numbers,” features Gress’s original compositions for quintet. Earlier releases include the critically acclaimed “7 Black Butterflies” (2005), “Spin & Drift” (2001), and “Heyday” (1997). Gress can also be heard within the ensembles of John Abercrombie, Ralph Alessi, Tim Berne, Don Byron, Uri Caine, Ravi Coltrane, Marc Copland, Mark Feldman, Fred Hersch, John Hollenbeck, and John Surman. He has also grounded the performances of Buddy Hackett, Phyllis Diller, Zoot Sims, Cab Calloway, and Pia Zadora. Gress has toured North and South America, Europe, and Asia, and has served as Artist-in-Residence at St. Petersburg Conservatory in Russia and at the Paris Conservatoire. He has received grants from the National Endowment for the Arts, Meet the Composer, and Chamber Music America, and currently resides in New York.
Clarence Penn is one of the busiest jazz drummers in the world, a leader of multiple bands, a composer, a prolific producer, and an educator. Since he arrived in New York City in 1991, Penn has played with Ellis and Wynton Marsalis, Betty Carter, Stanley Clarke, Steps Ahead, Makoto Ozone, Michael Brecker, Dave Douglas, Maria Schneider, Luciana Souza, Richard Galliano, and Fourplay. His discography includes several hundred studio albums (including the Grammy-winning recordings by Randy Brecker and Maria Schneider) and he has toured extensively throughout the world. Penn has also composed music for films and produced tracks for numerous singers in the pop and alternative arenas. He earned a “Ten Best of 1997” accolade from the New York Times for his first leader recording, “Penn’s Landing.” Penn is also active as an educator and drum clinician and has taught on the faculty of the Banff International Workshop in Jazz and Creative Music, the Stanford Jazz Workshop, the Saint Louis College of Music in Rome, Italy, and the Jazz at Lincoln Center Intensive Jazz Institute. His most recent recording is “Monk: The Lost Files” which features modern arrangements of the music of Thelonious Monk.
Support for this event was provided by lead sponsor, FirstEnergy Foundation on behalf of West Penn Power. In addition, Renfrew Institute receives state arts funding support through a grant from the Pennsylvania Council on the Arts, a state agency funded by the Commonwealth of Pennsylvania and the National Endowment for the Arts, a federal agency. Further sponsors include Franklin County Visitors Bureau, Stephen D. Fisher, and Renfrew Institute’s Today’s Horizon Fund contributors: The Nora Roberts Foundation; APX Enclosures, Inc.; The Carolyn Terry Eddy Family: Carolyn, with daughters Connie Fleagle & Kim Larkin; and the John R. Hershey Jr. and Anna L. Hershey Family Foundation. Facility support is provided courtesy of Renfrew Museum and Park.
Parking is available behind the visitors center, with additional parking in the lower lot off Welty Road. Those attending are encouraged to bring lawn chairs and blankets, and picnics are welcome. Rain site: Waynesboro Area Middle School auditorium.
Franklin County Visitors Bureau invites the public to Renfrew Institute’s 26th annual Jazz Festival, scheduled for Sunday, August 27, from 2:00 to 4:00 p.m. on the lawn behind the Renfrew Museum house in Waynesboro, Pa. The concert features jazz greats, including Vincent Herring (alto saxophone), Conrad Herwig (trombone), Jared Gold (organ), Paul Bollenback (guitar), and Jeff “Tain” Watts (drums). The concert is free and open to free the public; donations are accepted. (more…)
